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逝水年華
分類：劇情片
演員：Zdenek,Bezusek,Karel,Blazek,Miroslav,Cvrk
狀態：HD
簡介：一直作為米路斯．科曼劇本鐵三角（另一位是帕培錫，也是本片編劇之一）成員的艾雲．巴薩，當然也走低度戲劇路線。同是音樂家的彼德與卡洛老友重逢，生活狀況大不同，你有伴侶我有家庭，然而都有說不出的不明朗，唯有以酒與音樂代替口水。全片推展不問目的，只在剎那間的意圖，行行企企比起科曼更義無反顧，卻有生活淡如流水的詩意和繆思，叫觀眾聯想到二十年後的伊力．盧馬。巴薩鍾愛音樂的程度不下於文字和電影，古典音樂與民間音樂於全片迴轉迴盪，難怪成了奇斯洛夫斯基十大心愛電影之一。 康城影展青年評審團獎，美國全國影評人協會特別獎 這部1966年的珍品，是捷克新浪潮短暫生命中最佳作品之一。成名音樂家到小鎮探訪舊同學，舊同學是個窮音樂教師，有時在喪禮上吹奏樂曲。平凡的素材在巴素手裡，變出風趣復罕見的旋律，一部憂鬱的喜劇，或灰色喜劇。 - Dave Kehr, Chicago Reader Ivan Passer's (Cutter's Way and Creator) last film to be made in his native Czechoslovakia is about friends – musician Petr and music teacher Karel – reunited when Petr returns to town for a performance. Passer frequently collaborated with Milos Forman and the episodic, low-action aesthetic that was evident in Forman's early work can be seen here. Years of separation have bred apprehension between the two men, and Karel's simmering jealousy makes their meeting all the more awkward. Eventually, the barriers crumble enough for the pair to freely discuss their lives. The film's simple beauty is in the details of the men's reacquainting themselves with each other, discovering each other's regrets and unfulfilled desires. Alive with pathos, humour and insight. Special Award, National Society of Film Critics Awards Its simple city mouse-country mouse story involves the meeting of two former schoolmates as they prepare for a small-town concert. Enlivened by Passer's flair for grotesquerie, this unassuming masterpiece maintains a delicate balance between hilarity and despair. - Elliott Stein, Village Voice Source HKIFF Czech New Wave 2006
時間：2025-05-18 13:26:53
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捷克斯洛伐克60年代新浪潮電影二十五面體
分類：紀錄片
類型：
演員：斯特凡·烏赫爾,米洛斯·福爾曼,Jaromil,Jire?,帕維爾·祖拉契克,揚·施密特,埃瓦爾德·朔爾姆,Jan,Němec,伊凡·帕瑟,Karel,Kachyňa,楊·卡達爾,艾爾瑪·克洛斯,奧塔卡·瓦夫拉,維拉·希蒂洛娃,Ji?í,Menzel,朱拉·亞庫比斯克,拉吉斯拉夫·黑爾格,Ji?í,Krej?ík,Eduard,Gre?ner,法蘭提塞·維拉席,Karel,Vachek,尤拉伊·赫茲,德拉侯米拉·維哈諾瓦,Hynek,Bo?an,Du?an,Hanák,伊洛·哈維塔,沃依采克·雅斯尼
狀態：HD
簡介：<p> The 2-part feature-length documentary "25 ze ?edesátych aneb ?eskoslovenská nová vlna" ("25 from the Sixties, or Czechoslovak New Wave") presents a complex view of the phenomenon of Czech and Slovak New Wave in the cultural and social context of the 60's. 25 fundamental films commented on by their makers and film historians offer the viewer a dramatic insight into the golden era of Czechoslovak cinema.<br/> The documentary is a follow-up on the biographical TV series "Zlatá ?edesátá" (Czech Television, 2009), ba
sed on the filmmakers' personal remembrances. As opposed to the series, the documentary presents the Czech and Slovak cinema of the 60's in the national, international and also inter-generational context. It describes the ways the New Wave crossed the existing artistic boundaries, how it variegated the world cinema and where it left an ineffaceable impression. It analyses the work of filmmakers in a state-funded cinema, under the pressure of ideological demands on one hand and commerce on the other. It presents the dilemma of a man - an artist - on the edge between contradictory social systems and incongruous aesthetic requirements. The existential drama of a man acting freely and at the same time mercilessly crushed by the wheels of the system.<br/> The 60's are, from this point of view, mostly an era of fortunate historical constellation, not only in - at that time - Czechoslovakia, but on a world-wide scale. An era of expectations and upswing, but also an era of exemplary human decisions and artistic pursuit. Those are some of the things "25 ze ?edesátych aneb ?eskoslovenská nová vlna" wants to commemorate.<br/> Part 1 comments on:<br/> ■"Slnko v sieti" ("The Sun in a Net," 1962) by ?tefan Uher<br/> ■"Konkurs" ("Audition," 1963) by Milo? Forman<br/> ■"K?ik" ("The Cry," 1963) by Jaromil Jire?<br/> ■"Postava k podpírání" ("Joseph Kilian," 1963) by Pavel Jurá?ek & Jan Schmidt<br/> ■"Ka?dy den odvahu" ("Courage for Every Day," 1964) by Evald Schorm<br/> ■"Démanty noci" ("Diamonds of the Night," 1964) by Jan Němec<br/> ■"Intimní osvětlení" ("Intimate Lighting," 1966) by Ivan Passer<br/> ■"A? ?ije republika" ("Long Live the Republic," 1965) by Karel Kachyňa<br/> ■"Obchod na korze" ("The Shop on Main Street," 1965) by Ján Kadár & Elmar Klos<br/> ■"Romance pro k?ídlovku" ("Romance for Bugle," 1966) by Otakar Vávra<br/> ■"Sedmikrásky" ("Daisies," 1966) by Věra Chytilová<br/> ■"Ost?e sledované vlaky" ("Closely Watched Trains," 1966) by Ji?í Menzel<br/> Part 2 comments on:<br/> ■"Kristove roky" ("The Prime of Life," 1967) by Juraj Jakubisko<br/> ■"Stud" ("Shame," 1967) by Ladislav Helge<br/> ■"Svatba jako ?emen" ("A Hard and Fast Marriage," 1967) by Ji?í Krej?ík<br/> ■"Drak sa vracia" ("Dragon's Return," 1967) by Eduard Gre?ner<br/> ■"Marketa Lazarová" ("Marketa Lazarová," 1967) by Franti?ek Vlá?il<br/> ■"Sp?ízněni volbou" ("Elective Affinities," 1968) by Karel Vachek<br/> ■"Spalova? mrtvol" ("The Cremator," 1968) by Juraj Herz<br/> ■"Zabitá neděle" ("Squandered Sunday," 1969) by Drahomíra Vihanová<br/> ■"Pas?ák" ("The Decoy," 1968) by Hynek Bo?an<br/> ■"P?ípad pro za?ínajícího kata" ("Case for a Rookie Hangman," 1969) by Pavel Jurá?ek<br/> ■"322" ("322," 1969) by Du?an Hanák<br/> ■"Slávnos? v botanickej záhrade" ("Celebration in the Botanical Garden," 1969) by Elo Havetta<br/> ■"V?ichni dob?í rodáci" ("All My Good Countrymen," 1968) by Vojtěch Jasny</p> 時間：2024-10-24 01:11:29
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金發女郎的愛情
分類：喜劇片
演員：哈娜·布賴霍娃,烏拉迪米爾·布戳特,弗拉迪米爾·門西克,伊凡·帕瑟,Jirí,Hruby
狀態：HD
簡介：
金發少女安杜拉（Hana Brejchová 飾）是一個在捷克某小鎮制鞋廠工作的女孩，青春年少的她和同齡人一樣渴望一段浪漫完美的愛情，但在這個男女比例嚴重失調的小鎮上，她的愿望似乎有些渺茫。鎮上的青年湯達（Antonín Blazejovsky 飾）展開愛情攻勢，然而始終無法獲得安杜拉的芳心。某天，偶然流浪于此的青年鋼琴家米達（Vladimír Pucholt 飾）適時打開了安杜拉的心扉，她和這個來自布拉格樂團的文藝青年度過浪漫激情的一夜。從此以后，安杜拉對米達念念不忘，更決定啟程前往布拉格尋找愛人。她要的是真摯的愛情，而米達卻只當那是一夜的露水姻緣…… 本片榮獲1967年丹麥波迪獎最佳歐洲影片獎、1967年芬蘭胡西獎最佳外語片導演獎。
時間：2024-08-26 15:58:36
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游牧戰神
分類：戰爭片
演員：庫諾·貝克,李截,杰伊·埃爾南德斯
狀態：HD
簡介：<p> 電影講述的是哈薩克斯坦可汗阿不賚成長的歷程。影片采用旁述的形式，以恢宏的戰爭場面對我們娓娓道來：在無邊無際的遼闊之地，從阿爾泰山到里海，遠古就住著游牧的哈薩克民族，在這片土地上，一波又一波敵人倒下，在他們的身后留下灰燼和骨頭，對他們來說最大的災難。影片在努力定義哈薩克斯坦的民族意識形態，聚焦于如何讓18世紀的哈薩克斯坦各部落團結起來一致對抗外來侵略。<br/> 關于影片：<br/> 中亞地區一向被認為是電影業的沙漠，中亞國家也有自己的電影業，但限于資金和技術和觀念，很難拍出在世界上有影響力的影片。然而，最近一部名為《游牧戰神》的影片，不僅創造了中亞電影的投資新紀錄，影片場面也氣勢磅礴，情節感人。這部造價最高的中亞影片反映了一個哈薩克斯坦民族自豪感的主題，稱得上是哈薩克的史詩巨片。<br/> （注：現在網上流傳的為俄語配音版，漢語字幕又從俄語翻譯，翻譯很爛，歷史都不懂。所以連流傳的簡介都是錯誤的。但仍掩蓋不了原片的優秀。<br/> 現列出翻譯重大失誤的幾處：哈薩克人，譯成哥薩克人，完全不相干的倆民族。這白癡家伙俄語學多了只懂俄國歷史不懂亞洲歷史了；ZHUNGAR：是蒙古準噶爾部，卻翻譯成了"真加爾"；這部片子的主角是哈薩克可汗阿不賚的成長經歷,而翻譯將其翻譯成阿普拉.影片介紹更令人啼笑皆非的說成是哈薩克斯坦總統納扎爾巴耶夫的成長經歷）</p>
時間：2024-03-24 21:44:32
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